LF: A Great Editor

It always annoys me when “literary snobs” dismiss self-published work as sub-par, or something that’s just not worth their time. Sometimes it’s really just them looking down on certain genres (*cough* romance *cough*) because they think it’s “easy to write.” And sometimes, their aversion of all self-published work stems from reading or hearing their peers talk about a handful of badly edited ones.

Sad, but true.

As a reader, I can forgive a few minor grammatical errors in the books I read, but gaping plotholes, one-dimensional characters, and problematic narratives make me cringe and wonder: Who the heck edited this?

I cannot stress this enough: To every author, self-published or not, having a great editor is IMPORTANT. A good editor can spot grammatical or typographical errors for you, but a great editor can do that AND also flag problem points in your manuscript. Great (AKA experienced, skilled, and constantly improving) editors are able to tell if a plot point or character behavior doesn’t make sense and offer constructive insight on how you can make your book better. And the more you continue working with good editors, the better author you will eventually become.

But how exactly do you know if you’re working with a great editor? Here are some qualities that I think they must have.

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How much does it REALLY cost to self-publish?

(TL;DR version: It’s less than P40,000.)

How much does it really cost to self-publish a book?

Recently, there’s been a bit of buzz around self-publishing practices here in the Philippines. Every once in a while, various conversations about the different issues surrounding self-publishing (quality of work, ~legitimacy, and costs, to name a few) arise in different social media platforms, and I want to somehow contribute to that through this blog, but for now, let’s focus on one aspect: COST.

I remember someone from a big book event last year who very specifically asked us how much money we spent to publish ONE BOOK. And I also remember the shock on her face when I blurted out some rough estimates (less than P20,000), which made me wonder if she’d spent more, or was about to.

Now before we go any further, let me be clear: I cannot speak for every self-published author out there. Everything I’ve written here is based on actual costs that I have personally spent publishing my books in the last nine years. Enumerated below are several items I usually budget for when I plan on releasing a book, including a price range for each.

Ready? Here we go:

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#TeamLabyu is back!

It’s almost World Theatre Day, and what better way to celebrate that special day than by re-releasing my Philippine theatre-based romance novel, Waiting in the Wings! That’s right friends~by March 27, everyone who’s purchased the Kindle version of the book will be seeing its 2024 edition!

The 2024 edition of Waiting in the Wings has a new clinch cover featuring theatre actors Marynor Madamesila and Gio Gahol, photographed by Chi Yu Rodriguez and designed by Miles Tan. The story is tweaked a little bit, so you might find new things inside, but it’s essentially the same story set during pre-pandemic times (the original came out in 2017), and of course, our main couple still get their HEA.

I’m now taking pre-orders for paperback AND hardbound copies of this new edition for PH readers! If you’re interested to buy a copy of the book, fill out the form found here. The form will close on March 31, 2024, and books will be scheduled for pick-up or delivery beginning April 13.

For any inquiries, email me at author@tarafrejas.com.

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#RomanceClass x The Ateneo National Writers Workshop

The 21st Ateneo National Writers Workshop + RomanceClass

Exciting news!

The Ateneo Institute of Literary Arts and Practices (AILAP) is working with #RomanceClass to bring you the 21st Ateneo National Writers Workshop (21ANWW)! This year, AILAP aims to explore romance writing that challenges current conventions, as well as contribute to the direction and future of the genre.

This is amazing to me in many different levels, but mainly because as a young aspiring writer who had an inclination toward writing love stories, I was never encouraged to write romance by the academe. Perhaps it was not conveyed directly to me that the romance genre wasn’t welcome in the literary sphere, but the way literature was being taught at the time and the type of short stories and poetry that the school’s publication put out made it seem so. To have an actual academic entity promote the exploration of the romance genre is refreshing to me, and I am looking forward to the stories we’re going to be seeing through this program.

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