Tara’s Thoughts On: PETA Theater Center’s One More Chance the Musical

When PETA’s One More Chance the Musical was announced last year, my first reaction was “WHY?”

Now, hear me out—I don’t want to be a hater, but I think most of us who loved the Star Cinema movie when it first came out have grown older and wiser, and realized that a) Popoy, the male MC, was a toxic sadboi, and; b) his HFN with Basha wasn’t rightfully earned. Which is my way of saying I wasn’t exactly thrilled at the prospect of seeing it interpreted as a musical, even as a casual fan of Ben&Ben’s music.

But this IS still a PETA production, and from experience, I rarely leave a PETA show disappointed, so I decided to watch it at least once. Thankfully, I was able to get tickets now after being unable to snag some during their first run.

One More Chance tells the story of Popoy and Basha, an engineer and architect, respectively, who have been together for five years. They’re getting married soon, and everything they’re doing career-wise is geared toward that milestone. Plus their dream house, which Basha designed.

As the show opens, we see cracks in their relationship, owing mainly to Popoy disregarding Basha’s feelings. She is burnt out and unhappy in the firm they’re both working at, and wants to leave it all behind to venture into something else entirely—a t-shirt design business that Popoy thinks is simply a distraction from their end goal. Things come to a head when seemingly minor inconveniences pile up and aggravate Basha’s feelings of being unheard, and she decides to end their relationship.

Completely lost without her, a stubborn Popoy tries to win Basha’s heart back, eventually hurting not only her but also his relationship with their shared circle of friends. Will Popoy and Basha ever get their Happy Ever After? And when they do, will they be back in each other’s arms, or in someone else’s?

This review contains spoilers.

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Fly me to the moon, because Mula sa Buwan is back!

Curtains have opened once again for one of my favorite Filipino musicals, Mula sa Buwan, and I AM ECSTATIC! I always thought it was a shame the runs for this show were extremely short, so I’m really happy they’re producing a total of sixteen shows now (well, down to twelve now, because they’ve already opened last Friday). I caught yesterday’s 3PM show, and here’s a list of notable things I loved in this rerun:

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Review | Black Box Productions’ Mula Sa Buwan

mula sa buwan

When I saw Mula sa Buwan‘s teaser a few months ago, I immediately decided I’m going to watch this production without even knowing yet what it was about. It was THAT pretty and catchy. I followed their Facebook page, watched out for updates, and panicked a little when they released show dates and realized it was only going to run ONE weekend.

ONE. WEEKEND. Imagine that.

Fortunately, we were able to secure tickets for its closing night last Sunday (December 4), and let me tell you–it was everything I wanted and more.

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Review | PETA Theater’s The Tempest Reimagined

the tempest reimagined review

I walked into The Tempest Reimagined with only the vaguest idea of what the story was about. I already expected to drown in Shakespeare’s words like an inexperienced person was wont to do, but PETA’s masterfully written adaptation always managed to pull me back to shore.

Weaving two different stories from two different cultures, worlds (fiction vs. real life), and eras could not have been an easy feat, but the team behind The Tempest Reimagined made it look like a walk in the park. Special mention to Norbs Portales as the fisherman Jaime, who provided slivers of wisdom and laughter as the show’s narrator. He also tugged at my heartstrings toward the end of the show. (In short, umiyak ako.)

Topper Fabregas was hilarious, especially when he momentarily traded his Trinculo character to portray a masked foreign aid “god.” Kuya Bodjie Pascua‘s portrayal as Papa Bons was heartfelt and inspiring as usual. Seeing him in 3 Stars & a Sun in March made me want to watch him on stage again, so thanks, show! John Moran did a awesome job portraying the “monster” Caliban, while Neomi Gonzales, Gabriela Pangilinan, and Gio Gahol were enchanting as the elemental spirit Ariel. I’m a sucker for music so I always loved it when they played the instruments and sang. I wished there were more of that, actually.

I’ve always loved how PETA designs their stages, and The Tempest Reimagined‘s stage was no different. Almost bereft of color, the dominantly white stage was a great backdrop for the vibrant characters of the play. I also appreciated how functional everything was on stage, especially toward the end when the characters were, quite literally, building something new out of the ruins.

The play’s run was pretty limited (it closed yesterday, December 4th), and it made me sad to see a lot of empty seats when we came to watch. I hope this doesn’t discourage the company from bringing this closer to the viewing masses, one way or another. Every story needs to be seen and heard, and this one, most expecially, needs to be put out there for many others to enjoy and learn from.

Rating

review 4 stars

PETA Theater’s The Tempest Reimagined was a magical attempt at putting Shakespeare in a perspective more relatable to the Filipino viewing public. It wasn’t perfect, but it was heart-wrenching and inspiring all the same. Kudos to everyone who made this production possible! Congratulations!

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5 Reasons You Shouldn’t Miss Rak of Aegis 5.0

If you haven’t been living under the rock these past two years, you’ve probably heard of this original Filipino jukebox musical, Rak of Aegis. Developed from an idea of having a distinctly Pinoy counterpart to Broadway musical Rock of Ages, the Philippine Educational Theater Association (PETA) produced Rak, which became somewhat of a sensation after its first run in the first quarter of 2014.

Two years later, Rak is back with several new faces and 82 more shows which will run from June 17 to August 28. But whether you’re a Rak n00b or veteran, I believe Rak of Aegis 5.0 is something you shouldn’t miss–and here are five reasons why:

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