RAKINANGINA! (Or, why I can’t stop blurting out expletives while watching Rak of Aegis)

Cards on the table, first of all: I first saw Rak of Aegis in February last year, and again in March. I was so enamored by the entire production I couldn’t stop singing Aegis songs for weeks, and the withdrawal caused me to create an unofficial fanpage for the production . . . because I needed an outlet for my overflowing love, obviously.

At about the same time, I, together with my friend and co-fanpage moderator, Rica, began forging friendships with the cast members. They were very happy to see the effort we put on the fanpage, and were very appreciative of it. We couldn’t be happier, and would constantly get bouts of kilig over getting likes and favorites all over Facebook and Twitter.

Come June of last year, we went to the fictional barangay Villa Venizia again and were wowed by how much the musical had improved. The storyline was tighter, running time shorter, and even if I’ve already seen it twice before, there’s still that magic I felt when I saw it for the first time. Or the second time.

Before 2014 came to a close, I was able to see the production for six times already, and even then, the cast and crew of the hottest musical of the year were still giving us something new. It is truly a gift that keeps on giving, and by god, I took everything I could. I got intoxicated with everything Rak of Aegis had to offer, and my hangover was so immense it lasted me six months more until the production opened again this June.

(Further review of the musical under the cut. THERE ARE SPOILERS, YOU HAVE BEEN WARNED.)

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Ikaw, paano ka naging Leading Lady?

Saturday night proved to be a fun night for my sister and I, along with some friends from high school and my previous job, as we all trooped to PETA Theater to be part of Kung Paano Ako Naging Leading Lady‘s opening weekend. Since we have been re-introduced to the world of original Filipino musicals by way of Maxie: The Musicale in 2013, we have always looked forward to new productions and tried our very best to set some time and money aside for a dose (or twelve) of theater culture. For this year, this is the second original Filipino musical I’ve seen, the first being Ballet Philippines’ Manhid: The Pinoy Superhero Musical, which was staged at the CCP Main Theatre from February to March.

And now we have been treated to a second superhero musical, and oh, how I loved it. 

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