Listennnnnn.
I’m not a fan of the horror and gore genres, but put it in a musical and inject into it a dose of campiness and dark humor and I’ll most probably give it a try. (And it also kinda helps if I have a friend in the cast, ‘cos honestly that was the case here.) So yeah, we watched The Sandbox Co.’s Little Shop of Horrors over the weekend, and had so much fun!
I was in my early 20s when I first encounted the musical RENT in its movie iteration. I’m not sure why, but it took me a bit of time warming up to it. Perhaps I felt too removed from the themes of the musical at the time, or because the music didn’t quite capture me at first listen. But the more I got into the material, the more my appreciation for it grew. However, it wasn’t until a week ago that I was actually able to see RENT on stage! My gosh, finally!
RENT is a Jonathan Larson musical about eight New Yorkers who are struggling with life in general as they are faced with challenges related to their careers, relationships, drug addiction, and AIDS. It came out in 1996 and is still one of the most enduring musical productions to date.
Waiting in the Wings has a new cover! How much do you lab it?
It’s been six years since the release of Waiting in the Wings, my romance novella set in Manila’s musical theatre world, and while I didn’t have any urgent plans to change its cover, the idea had been simmering in my mind for a while. In February this year, PETA Theater opened its doors to a new Filipino musical entitled Walang Aray (an adaptation of Severino Reyes’ Walang Sugat), and it captured my heart instantly and prompted all of this madness.
It’s been a while, hasn’t it? Man…I had so many plans at the beginning of this year, but as usual, life has a way of realigning things for you without asking for permission.
Anyway, quick story time.
Keep us in mind for tickets! Our Ticket2Me page will be up very soon, but you may direct inquiries to the numbers above.
Maxie The Musical tells the story of an effeminate, adolescent boy Maxie growing up in the slums of Manila, and who is deeply loyal to his family of petty thieves. His world revolves around taking care of his father Paco and two brothers Bogs and Boy, who love and protect him. When Maxie meets a young, handsome, and idealistic policeman Victor, the two quickly form a friendship and Maxie begins to realize that he can have a better life, which soon incurs the ire and disapproval of Maxie’s family. Torn between his emerging affection for Victor and unquestioning devotion to his father and brothers, Maxie The Musical is a tale of lost innocence and redemption amidst poverty and corruption.